Painting- Mannerism in Florence and Rome - considered to be more self- consciously "artificial" - derived from aspects of Raphael and Michelangelo - cold formalism was considered to be inner vision - (1494-1540), Italian painter, whose early works helped define Italian mannerism - later was a founder of French mannerism - was born Giovanni Battista di Jacopo di Guasparre in Florence - early work had odd perspectives, violent colors, and harsh lighting - 1523 Rosso moved to Rome, where he was influenced by Italian artist Michelangelo and Italian mannerist painter Parmigianino - work then acquired new beauty and expressed more tempered emotions - (1494-1557), Italian painter, whose style is marked by elongated forms, heightened emotion, and tension between figures and space - Born in Pontormo, he worked chiefly in Florence - initially assisted Florentine painter Andrea del Sarto and later did much work for the ruling Medici family. Parmigianino- (1503-1540), Italian painter and etcher, whose work is among the most graceful and elegant of the school of mannerism- born Girolamo Francesco Maria Mazzola, or Mazzuoli, in Parma- influenced by Italian painter Correggio and Roman painter Raphael Self Portrait- looked through a mirror as done before in previous times- used leonardo's type of sfumato- hand is much bigger than reality of itBronzino- (1503-1572), Italian painter, the outstanding artist of the Tuscan High Mannerist style- produced portraits and religious pictures- style is cold, refined, aristocratic, and technically brilliant in its rendering of surface details and colors- display the typical mannerist characteristics of elongated forms and crowded, angular compositionsEleanora of Toleda and her Son Giovanni De'Medici- sitter appears as a member of social outcast- not as much as unique personality or individualistic- lavishly ornate costumeAnguissola- (1527-1625), Italian painter, who specialized in portraits and was a...
