Analysis of an aspect of visual form in the film ‘Repulsion’ by Roman Polanski In the 1964/65 film ‘Repulsion’ by Roman Polanski, the story is about the conflict between reality and fantasy or sanity and insanity inside the main character’s mind – Carol played by Catherine Deneuve. Therefore the narrative technique of symbolism is used to display visually to the film’s audience what happens to Carol’s mind. In this particular instance, the degeneration of Carol’s state of mind is symbolised.Carol’s state of mind degenerates, or breaks down because of her repulsion of masculinity in a sexual context. Through Carol’s eyes, we see masculinity as being aggressive, obsessive, crude/sexually suggestive, rapacious and sinister, and although these are masculine traits, they are not a full representation of males/masculinity in society. Therefore one can see that Carol has misunderstood and become very wary of men. She is a very pretty woman and the film uses her to display an almost stereotypical femininity – weak/ fragile and delicately featured – ironically, the complete opposite to Carol’s own view of men. And so, overall, the film basically represents male domination and female vulnerability. Also to highlight the difference between Carol’s reactions to men and her reactions to women, the writer has chosen to place her character in a beauty parlour. This is used to represent a pleasant but superficial world against a nasty one – through Carol’s eyes that is.From the beginning, one can tell that there are going to be elements of surrealism in the film by the style in which the credits are run. These opening credits run generally upwards (I say generally as some of the credits are at angles – but still maintaining an ‘upward-ish’ direction) over an extreme close-up shot of Carol’s face, and also some credits finishin...
