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The Illiad

The American Heritage Dictionary defines a god as "1. A being conceived as the perfect, omnipotent, omniscient ruler and originator of the universe, the principal object of faith and worship in monotheist religions. 2. A being of supernatural powers, believed in and worshiped by a people."(360) I believe the first definition reflects Modern America's connotation of the word god. The latter definition recalls the Ancient Greco-Sumerian ideal of a being greater than man. While both definitions are equally valid in literature, many perceive the word only in the first view. However, the Iliad, the Odyssey, and the Epic of Gilgamesh portray an obvious theme with gods possessing limits and imperfections, not "perfect, omnipotent, and omniscient"(360). The gods in the time of these selections obviously reflect society, unlike the first definition, the only difference is they possess immortality (Melchert 8).In the Odyssey, the goddesses Circe and Kalypso both expected lifelong commitments from the mighty Odysseus. Both of the goddesses promised great things to the hero, including godhood. Odysseus could refuse both goddesses. Human obstinacy beat out the whims of goddesses. If the Protestant god were to make any type of demands upon his followers, more than likely, they would not refuse him. One could argue, though, that Odysseus did give in to the goddesses by bedding them. Always though, his focus eventually shifted to returning home and reuniting with his mortal wife. Homer portrayed a man who refused immortal beauty for true love. "She is mortal after all, and you are immortal and ageless. But even so, what I want and all my days I pine for is to go back to my house and see my day of homecoming. If some god batters me far out on the wide blue water, I will endure it, keeping a stubborn spirit within me, for I have already suffered much (93-94)." Thus, the mortal Odysseus was able to deny the temptations of the goddesses multipl...

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