Anthropology of Law Animal Rights Protests: Is Radical Chic Still in Style? Over the past fifteen years a powerfully charged drama has unfolded in New York's Broadway venues and spread to the opera houses and ballet productions of major cities across the country. Its characters include angry college students, aging rock stars, flamboyant B-movie queens, society matrons, and sophisticated fashion designers. You can't buy tickets for this production, but you might catch a glimpse of it while driving in Bethesda on particular Saturday afternoons. If you're lucky, Compassion Over Killing (COK), an animal rights civil disobedience group, will be picketing Miller's Furs, their enemy in the fight against fur. These impassioned activists see the fur trade as nothing less than wholesale, commercialized murder, and will go to great lengths to get their point across. Such enthusiasm may do them in, as COK's often divisive rhetoric and tacit endorsement of vandalism threaten to alienate the very people it needs to reach in order to be successful. The animal rights idealogy crystallized with the publication of philosophy professor's exploration of the way humans use and abuse other animals. Animal Liberation argued that animals have an intrinsic worth in themselves and deserve to exist on their own terms, not just as means to human ends. By 1985, ten years after Peter Singer's watershed treatise was first published, dozens of animal rights groups had sprung up and were starting to savor their first successes. In 1994 Paul Shapiro, then a student at Georgetown Day School, didn't feel these non-profits were agitating aggressively enough for the cause. He founded Compassion Over Killing to mobilize animal rights activists in the Washington metropolitan area and "throw animal exploiters out of business." Since then, COK has expanded to over 300 members with chapters across the country, including one at American University, which formed in the fall of ...
