Keith Sandiford, author of Measuring the Moment, eloquently made the claim for Equiano’s Interesting Narrative as a reliable documentary source. Sandiford writes, “Throughout the narrative, [Equiano] makes a conscious effort to delineate the principal incidents and experiences of his life as faithful memory would allow and to appraise his conduct with honest judgement and sober reflection” (119). To me this is how Equiano embarks on making his narrative credible: "I believe it is difficult for those who publish their own memoirs to escape the imputation of vanity. . . People generally think those memoirs only worthy to be read or remembered which abound in great striking events, those, in short, which in a high degree excite either admiration or pity; all others they consign to contempt or oblivion. It is therefore, I confess, not a little hazardous in a private and obscure individual, and a stranger too, thus to solicit the indulgent attention of the public, especially when I own I offer here the history of neither a saint, a hero, nor a tyrant. I believe there are few events in my life which have not happened to many; it is true the incidents of it are numerous, and, did I consider myself an European, I might say my sufferings were great; but when I compare my lot with that of most of my countrymen, I regard myself as a particular favorite of heaven, and acknowledge the mercies of Providence in every occurrence of my life. If, then, the following narrative does not appear sufficiently interesting to engage general attention, let my motive be some excuse for its publication."The narrative begins in the unassuming, yet ardent voice that carries the reader throughout his life story. He makes his plans entirely clear: he intends his narrative to open the world's eyes to the degradation and inhumanity of slavery. Yet he knows, too, that merely preaching of goodwill towards Africans would not turn any heads. He must...
