Love is perhaps the most actively sought moral objective of one’s life. And though marriage is often thought to be the logical consequence of love, it is Oscar Wilde’s contention in his satire, The Importance of Being Earnest, that love begets bliss and marriage thwarts this course of bliss. Algernon Moncrieff spends very little time falling in love and the rest of the time striving toward engagement. Wilde demonstrates through him that once one becomes intent upon achieving a goal, the individual’s motivation becomes a matter of action rather than truth. Algernon is no longer driven by a moral objective; instead, he becomes intent upon achieving a societal standard. “The truth is rarely pure, and never simple” (35). Love is truth. Marriage results in the systematic complication of love. Algernon becomes disillusioned in the process of seeking truth. In defining Algernon’s preconceived notion of marriage and then describing the subsequent earnest pursuit of engagement, Wilde achieves a consequential climax that satirizes marriage. Algernon is a pompous man of seemingly strong, albeit unconventional, convictions. Wilde uses him for the sole purpose of mocking the sanctimonious institution of marriage. In the beginning of the play, Algernon considers Jack’s intent to propose to Gwendolen to be “business,” not “pleasure” (30). Yet eventually Algernon also resolves to propose to Cicely, discrediting his own established belief: “I really don’t see anything romantic in proposing. It is very romantic to be in love. But there is nothing romantic about a definite proposal. Why, one may be accepted. One usually is, I believe. Then the excitement is all over. The very essence of romance is uncertainty” (30). Algernon clearly, at one point, sees marriage as a means to an end. Once he meets Cecily, however, the idea of maintaining truth above reality is hard to rat...
